GREAT PEOPLE

Gustave Courbet - "son of revolution"
The name Courbet means for the art of the XIX century no less than Rembrandt and Velázquez for the XVII century. After all, he openly proclaimed realism as his creative…

Continue reading →

Caravaggio - "an excellent rival of nature"
At the turn of the XVI – XVII centuries in Italy, famous for the great painters, poets, scientists and humanists, a very peculiar artist appeared. His paintings caused a genuine…

Continue reading →

Fritz Kremer: “I had the good fortune to create many monuments that stand on the street”
The essence of Kremer’s creative tasks is to appeal to the masses. “I feel it my duty,” says the artist, “to speak about the events that I experienced as a…

Continue reading →

Classicism

Albrecht Dürer. The four horsemen of the Apocalypse. Unlike the classics, classicism is not a qualitative, but a functional concept; it expresses a certain tendency of artistic thinking based on the desire for simplicity, clarity, rationality, and the consistency of the artistic image.

Classicism is turned to the future, not to the past, and this is its artistic and historical meaning. The basis of the classical worldview is a specific understanding of beauty, the belief that beauty is eternal. Continue reading

Impressionism

Renoir Pierre Auguste. The Ball in Moulin de la Galette Impressionism (Fr. Impressionisme, from impression – impression) is the artistic style in the art of the last third of the XIX – early XX centuries, which had a great influence on all subsequent art. Impressionism is a purely French phenomenon, although English landscape painters J. Constable and W. Turner are considered its predecessors. Continue reading

Gothic

Stained glass window, fragment with architectural ornament. Colored glass, painting, lead. Germany. Late 14th century. The Gothic style is an artistic style that was the final stage in the development of the Middle Ages of art of the countries of Western, Central and partially Eastern Europe (between the mid 12th and 16th centuries). The term “Gothic” was introduced into the Renaissance as a derogatory designation of all medieval art, which was considered “barbaric”. From the beginning of the 19th century, when the term Romanesque was adopted for art, the chronological framework of the Gothic style was limited, it marked the early, mature (high) and late phases. Continue reading

Baroque

Baroque – (Portuguese. Baroco – freaky, bad, wrong, spoiled). The term “baroque” has many meanings in the history of art. Among them are narrower, to indicate artistic styles in the art of various countries of the XVII-XVIII centuries, or broader ones – to define the ever-renewing tendencies of restless, romantic attitudes, thinking in expressive, dynamic forms, or generally as a poetic metaphor: “Baroque man” , “Baroque”, “Baroque world”, “Baroque life”. Finally, in every time, almost every historical art style finds its “baroque period”. Continue reading

Empire

David Jacques Louis The oath of the Horatii Empire (French empire – the empire from the Latin. Imperium – command, power) – artistic style, created in France in the beginning of the XIX century, in the era of the empire of Napoleon Bonaparte. The chronological framework of the original French “Empire Style” is limited to a very short period of time: from the end of the reign of the Directory (1799) or the year of Napoleon’s coronation (1804) to the restoration of the Bourbon dynasty (1815). Continue reading

Paul Gauguin - “the world of Tahiti”
When you get to the hall where the paintings of Gauguin hang, you find yourself in a special world of images, mysteriously flickering colors, slow rhythms. Everything here is unusual…

...

Ernest Seton-Thompson - writer, artist, naturalist
Eighty-six years of life - a considerable time. Exactly so many wonderful Canadian writer, artist, naturalist Ernest Seton-Thompson lived. But who was he in the first place? A rare case…

...